This article on video post-production picks up from workflow. ‘Post’ production is when we pull every one of the elements together right into a finished video product.
But post-production work, also known as ‘post’ or ‘posting’, usually involves more that just video. It’s often thought of as the entire procedure of bringing together video, stills, text overlays, 3D and graphics, audio dialog, audio sound effects, music.… literally each of the elements. And trying to assemble it right into a single cohesive product. Yes, this could be a great time to destroy out your talent, and the coffee.
Unlike the pre-digital days, today’s post is usually done on stock computers, in the fairly normal office setting. Heck, in a pinch it can also be done in your laptop located on your commuter train.
An improved setup, though, would place you in a reasonably sized room using a generous desk and a couple of large monitors. Any recent-vintage Mac or Windows machine is acceptable just fine for the majority of projects, and many of today’s software runs using both platforms. (Here’s an excellent article on Linux editing.)
The things that slightly differentiate a video workstation would be making certain you have enough hard disk space (never enough!), along with a generous volume of memory. You will additionally want a good audio playback system, as sound is an important part from the mix. Fast video cards are preferred, but the majority stock video works.
A post studio space is not really suitable for doing recording, but guess what? On many projects you will probably have audio elements that need creating. So a enough sq . ft . to put together a mic or two is nice. So will do room for comfy chairs for your clients or creative directors. They are going to all occasionally pop in.
A great deal of creative and grunt work could get done on location, before even returning to your post studio. Adobe’s Prelude (all Adobe Creative Cloud prices vary based on plan) is for this niche, offering logging and rough-cut edit sessions. All Prelude work can later be opened in Premier.
Adobe Prelude can be a much simplified cuts-only editor and logger, ideal for on location
For field work, I wanted the littlest and cheapest notebook that might run Prelude. I might are finding it inside the Nextbook Flexx 11-inch tablet/keyboard combo running Windows 8.1 ( about $200US). Includes 11.6-inch touchscreen, USB, micro SD reader, micro HDMI, and Atom 1.8GHz Quad-Core.
Post-production uses a range of software applications who do a variety of things. Whilst the editing application will most likely be the final destination, work can also be done in other programs such as a compositor for elaborate graphics, color grading software, 3D, and a variety of audio and music software. Large studios have specialists doing work in all these categories. But also in the smaller shops, a lot of us do it all, which is daunting, but rewarding (okay, sometimes just daunting).
When it comes to editing applications, there’s an abundance of options (See Wikipedia’s extensive chart). Generally, the large two are Adobe’s Premiere and Apple’s Final Cut Pro X. ($299US, Mac only), was the business king, before the launch of the ‘X’ edition in 2011, which sent many pro users packing.
Adobe Premiere Pro has took advantage of the FCPX exodus, and in addition from numerous years of steady. Premiere has gained a loyal professional following, which is used on major film/TV productions. It runs using Mac and Windows, and obviously integrates well with Adobe’s other Creative Cloud tools.
Other excellent editors, with unique strengths include Sony’s Vegas, noted for its strong audio editing tools. DaVinci Resolve from Black Magic Design ($995US) counts its color grading toolset as the strength. A free version can also be available that is certainly almost as powerful. Finally, Avid’s Media Composer ($29.99US/month) is still heavily found in Hollywood and TV production.
Editing software can perform some graphic effects, titling and light compositing. But if you need more, it’s time for a compositor. Far and away the most famous compositor is Adobe’s After Effects (AE), which can do doing almost endless effect creations.
Right out of the gate, AE comes along with great tools as well as a huge list of plugins which allow staggering capabilities. It can control the design of imported video, plus the sound. It allows video warping, rotoscoping, as well as animating in 3D/2.5D space.
Need more effects or anything unique? Third-party plugin developers have developed tools that could create insanely great effects. An older favorite of mine are the types from Red Giant, who definitely makes the well known ‘Trapcode’, ‘Shooter’ and ‘Magic Bullet’ suites of effects, amongst others. Effects that only blow clients away.
Other specialized effect plugins are for correcting the recording footage, like Imagenomic’s Video Suite tools ($99US/annually) allowing the softening of facial wrinkles. This is achieved to still images, but without this kind of plugin, it really is a hard move to make in video.
BlackMagic Design’s Fusion can be another great compositing solution. Listed at $995US for that full version, they also offer an low-end version which is totally free – a great way to start learning Fusion’s powerful node-based compositing system!
While 2D compositor special-effect capabilities keep improving each year, there are still things that must be completed in 3d, when budgets allow.
Blender3D also offers whiteboard animation company in kolkata, camera tracking and also other abilities
Blockbuster film effects are usually completed in programs like Autodesk’s Maya ($1470US subscription per year), Side Effect’s Houdini (price varies) or 3ds Max ($1470/annual). Nevertheless the 3D industry is vast with many different options. Make sure to also explore the open source gorilla in the 3D market, Blender3D.
These days, most competent audio programs enable you to import video to use as a backdrop reference for timing your audio and music work.
For those who have Adobe’s Creative Cloud suite, then you already have their Audition audio editing software program (though nearly all of it is likely you haven’t installed it yet!). Audition is actually a kick-arse program that supports imported video. Nonetheless its built-in workspace ‘Edit audio to video’ didn’t manage to arrange the screen perfectly. Thus I opened the recording window (WINDOW>video), dragged its tab into a current panel, and then juggled a lttle bit. It’s still evolving.
Got the chops to produce music to your visual masterpiece? Look into SONAR from Cakewalk ($99-499US), an “advanced music production environment” that supports touch screens, and has tools which include their new ‘Vocal Sync’ toolset which is used to align vocal tracks and correct the timing of audio dialog replacement.
Not being a musician, my favorite feature is being able to hum/whistle/sing the notes into SONAR, which then converts it into musical instrument sounds!
It wasn’t long ago we made the move top video seo company. It put strains on our computers and networks at first, until our systems trapped. Now 4K (aka ‘Ultra HD’ in consumer world) is making its means by. For video post this implies getting fast computers who have decent numbers of ram, a lot of hard disk drive space, and dexppky05 your networks are approximately snuff. Lets start with talking about screens.
Few everything is as widely priced as computer monitors. They range from dirt cheap, to the thousands. If you possess the bucks for that top end, wonderful. But know that even most moderately priced models today have pretty decent color and specs. We checked out two monitors, each with something unique, and all of having an eye to keeping it affordable.
The Samsung S27D590CS (street price $330US) is a sexy option with Samsung’s eye-popping curved screen. It is a very cost-effective 27-inch unit. Granted, at 1920×1080 it’s resolution is basic HD, nevertheless the image and experience is killer. A curved screen isn’t for all, while it is mild so must be an easy task to adjust to.