Ceilings dotted with halogen lights may have illuminated rooms in the 1980s, but today’s focus is on Serge Mouille, whether it’s feature lights in the restaurant or table or standard lamps in homes. And instead of blind recipients, the light creates intriguing shadows on walls and ceilings.
“Lighting has grown to be more centered on achieving certain tasks, whether it’s to produce food preparation easier, or perhaps to make the appropriate ambience,” says architect Jon Mikulic, director of Newline Design whose design skills include creating lights.
For that Dutchess restaurant, a great-dining venue in Melbourne, Mikulic created a striking light as being a centrepiece. Set against a black-painted ceiling, the Coil Light is made from copper water pipes and powder-coated white. “There’s approximately 60 metres of piping with this design,” says Mikulic, who saw the free-form cloud-like light as a contrast up to the more formal lines from the seating. As soon as the brief requires, lights enter into play, including cathedral-style glass lights for the nightclub that evoke stalactites located in a cave.
One lighting design that frequently finds its way into Newline’s bespoke homes will be the extruded fluorescent tubes that cantilever above island benches in kitchens. Wrapped in black steel, the 3.5-metre-long lighting is pierced at various points to accentuate different qualities of light. As well as fluorescent tubes, there’s also more incandescent lighting in this particular fixture.
“The brighter portion of this light is focused on food preparation, whilst in another part it’s about developing a slightly softer light,” says Mikulic, who sees a move towards using technology to produce a more tactile response whether it’s placed in a domestic or commercial setting. “Lighting designers may also be starting to explore the use of a greater variety of materials, whether it’s ceramic, steel or perhaps concrete,” he adds.
Lighting designer Suzie Stanford first arrived at prominence with her distinctive teacup lights. Produced from “up-cycled” fine bone china, these whimsical creations was a feature in commercial and residential settings. Stanford’s latest assortment of lights, produced from found brass and by means of animals, fish and magnolias, enliven living and dining rooms as well as adding light to bedside tables. “It’s about getting the right form in each design, whether it’s a pheasant, a swan or an eagle,” says Stanford, who may have designed a number of floor lamps and bedside tables for this particular collection.
And also making a conversation piece for the room, Stanford’s lights provide intriguing silhouettes of creatures against walls and ceilings. ‘”I direct the lighting source upwards to produce more subtle shadows,” says Stanford, who sees lindsey adelman chandelier as a type of theatre and as a means of engaging people, whether they are relaxing inside an armchair or gathered around a dining room table. And using found, instead of bought, materials adds history to every single design. “I love the thought of reinterpreting an item. Before it might have been a copper bird getting dusty on someone’s shelf. Now it’s a centrepiece in someone’s home,” says Stanford, who sources her materials from around the globe..
Lighting designer Christopher Boots has also established a reputation in both Australia and abroad for his bespoke lighting. His Prometheus light, a striking solid brass ring embedded 10dexmpky removable crystals, has turned into a feature in retail and domestic environments. Available in a range of sizes and each and every one intended to order, the Prometheus lighting is now supplied to the usa, Britain and Asia.”As being a child, I usually experienced a fascination for crystals,” says Boots.
Also in Bocci Replica is definitely the Diamond Ring light, a considerably larger version of your engagement ring. Created from solid quartz, these lights vary in size from 450 millimetres to 2.1 metres in diameter.
For Boots, the division between work and pleasure doesn’t exist. His adoration for lighting extends 24/7, with constant exploration to create lights that make people feel secure and comfy, whether placed in their homes or dining in the restaurant. “A residence should be a spot for dreaming,” says Boots, who couldn’t possibly have imagined seeing his lights can be found in the Hermes shop windows, first in New York in 2014, then the year later in Vancouver.